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For the first time ever a documentary unveils from within an investigation led by international justice. Khmers rouges, une simple question de justice (2012) follows the steps of an International Investigative Judge and his team, appointed by the United Nations, in tracking down those responsible for the crimes committed in Cambodia under the Khmer Rouge regime from April 1975 to January 1979, as a result of which nearly 2 million people perished. Shot over a period of 3 years, and backed by interrogatory and judicial reconstitutions on the 'crime scenes', the film reveals the horror of such a regime, helping us to understand the task and stakes of international justice.

A moustachioed Frenchman presents his performing cats.

This documentary brings a lighting on the originality and the specificity of the actor-author Pierre Richard, improbable synthesis of the talking ant silent films, heir to Buster Keaton for the gestural one and the expression of the body, and to Groucho Marx for the puns and the burlesque verbal one. Conceived like a voyage inside the universe of Pierre Richard, "the Art of unsteadiness" makes it possible to better understand its step, its method of actor, director and gag man. With through many testimonies, extracts of films and archives documents, drawn up here the portrait of one of the large last burlesques.

A dinner reunion of two childhood friends and their spouses turns into a disaster when they realize they have radically different lifestyles.

Nicolas, deeply in love with Julie, dreams of marrying her. Touched by his passionate love, she decides to break up with her lover Philippe, who is more than 20 years her senior and married to Marianne. In order to retrieve the keys to her studio apartment, she must meet Philippe one last time at his home and leads Nicolas to believe that she is going to her parents' house. He secretly follows her.

In a post-apocalyptic world, a love triangle involves three models under the spell of a demiurge fashion designer. TABLEAUX D'UNE EXPLOSION is a collision, a reinterpretation of the Petrushka tale set to Mussorgsky's music, 'Pictures at an Exhibition'.

A slightly risqué scene. In her bedroom, a young woman, standing on a rug in front of her bed, removes her corset. Smiling, she bares her shoulders and puts on her nightgown before letting her petticoat slide down. Then she picks up a daisy, plucks its petals, and gets under the covers.

A sensory and poetic experience where fantasies and dreams clash with the constraints of everyday life, Chronique d'une ville questions our relationship with the bustling metropolises developing around us at a sometimes elusive pace. Magnetic and impenetrable, with their incessant flow, they attract us as much as they confine us. This film, with its immersive soundtrack, patient camerawork, and meticulous editing, takes us through the streets and winding alleys of Mexico City, Tokyo, and Montreal, where millions of individuals coexist, both alone and surrounded by others. Nadine Gomez reveals several characters whose stories intersect and echo each other, while also giving a voice to these cities that transform us as much as we transform them.